1983/5min./16mm/b&w/silent 　　The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this. (Takashi Nakajima)）

1983/5min./16mm/b&w/silent 　　The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this. (Takashi Nakajima)）

Fascinating film. Extraordinary imagination. In my opinion this film is a fantastical, haunting tale set in a house where nature fuses with the lives of a family. The Roes' Room marries opera with painting-like images in an intricate and enthralling homage to the wonder of youth. Majewski uses both the fine arts and the vitality of the natural world to induce a sense of the richness of his life as a child and the miracle of the life of the creative imagination. Images tell us about the invisible but vibrant life force that filled the filmmaker's childhood. I'm sure that the combination of the visuals and the music, will be appreciated by almost anyone who appreciates art. 　　An autobiographical film opera about a young poet and countertenor, his parents, and the apartment in which they live. The poet’s sensitivity filters visions of the apartment as it is slowly devoured by nature. In summer, the floor becomes overgrown with grass, leaves of plaster fall in autumn, and in winter, the blizzard comes out of the refrigerator. The Roe’s Room is a story of life and death. Nature, the final victor, will eventually devour the walls, the tables and the shelves. 　　“Disturbing and visionary. The Roe’s Room is a masterpiece.” —Carlo Montanaro, La Nuova di Venezia

Fascinating film. Extraordinary imagination. In my opinion this film is a fantastical, haunting tale set in a house where nature fuses with the lives of a family. The Roes' Room marries opera with painting-like images in an intricate and enthralling homage to the wonder of youth. Majewski uses both the fine arts and the vitality of the natural world to induce a sense of the richness of his life as a child and the miracle of the life of the creative imagination. Images tell us about the invisible but vibrant life force that filled the filmmaker's childhood. I'm sure that the combination of the visuals and the music, will be appreciated by almost anyone who appreciates art. 　　An autobiographical film opera about a young poet and countertenor, his parents, and the apartment in which they live. The poet’s sensitivity filters visions of the apartment as it is slowly devoured by nature. In summer, the floor becomes overgrown with grass, leaves of plaster fall in autumn, and in winter, the blizzard comes out of the refrigerator. The Roe’s Room is a story of life and death. Nature, the final victor, will eventually devour the walls, the tables and the shelves. 　　“Disturbing and visionary. The Roe’s Room is a masterpiece.” —Carlo Montanaro, La Nuova di Venezia

正值十六岁豆蔻年华的她，梦想只是穿上漂亮衣服拍杂志封面、上电视节目受访、有个体贴的男朋友…但生命从来不曾这么简单：她被母亲暴力凌虐、遭受父亲强暴，只是个住在哈林区，目不识丁的非裔胖女孩，而她即将生下父亲的第二个小孩…人生有可能转弯吗？她何时能从现实的噩梦中醒来？

正值十六岁豆蔻年华的她，梦想只是穿上漂亮衣服拍杂志封面、上电视节目受访、有个体贴的男朋友…但生命从来不曾这么简单：她被母亲暴力凌虐、遭受父亲强暴，只是个住在哈林区，目不识丁的非裔胖女孩，而她即将生下父亲的第二个小孩…人生有可能转弯吗？她何时能从现实的噩梦中醒来？

阿图（克里斯汀·霍恩 Christine Horne 饰）是一名女同性恋者，风流成性的她从来都没有维持过一段长久的感情。一天，她的好友苏姗妮的母亲爱丽丝（凯特·特罗特 Kate Trotter 饰）拜访了阿图，阿图被这个60岁女人身上绽放出的强烈生命力和吸引力给迷住了。 　　很快，阿图和爱丽丝之间就产生了逾越了友谊的感情，而爱丽丝和苏姗妮之间的关系却越来越差。实际上，阿图和苏姗妮之间也曾有过一段往事，而苏姗妮敏锐的开始察觉到了母亲和好友之间不同寻常的氛围。终于，苏姗妮在一次意外中撞破了阿图和爱丽丝的恋情，愤怒的她决定无论如何都要拆散两人。

阿图（克里斯汀·霍恩 Christine Horne 饰）是一名女同性恋者，风流成性的她从来都没有维持过一段长久的感情。一天，她的好友苏姗妮的母亲爱丽丝（凯特·特罗特 Kate Trotter 饰）拜访了阿图，阿图被这个60岁女人身上绽放出的强烈生命力和吸引力给迷住了。 　　很快，阿图和爱丽丝之间就产生了逾越了友谊的感情，而爱丽丝和苏姗妮之间的关系却越来越差。实际上，阿图和苏姗妮之间也曾有过一段往事，而苏姗妮敏锐的开始察觉到了母亲和好友之间不同寻常的氛围。终于，苏姗妮在一次意外中撞破了阿图和爱丽丝的恋情，愤怒的她决定无论如何都要拆散两人。

故事发生在美国纽约，霍华德·拉特纳（亚当·桑德勒饰）正常身份是一位钻石首饰店的老板，暗地里他却是个嗜赌成瘾的赌徒。婚姻和家庭已然到了危机的边缘…

Between Belgian colonial archives and footage shot in the present, the violence of a dehumanising economic system unfolds through the story of a couple forced to work in a mine. 　　[FR] Entre archives coloniales belges et images tournées au présent, la violence d’un système économique déshumanisant se dessine à travers l’histoire d’un couple contraint de travailler dans une mine.